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composer |
title/ opus/ key |
level |
Preview/ Version/ Pages/ Price |
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C. Schumann
|
Romance No. 2 (from "3 Romances")
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| * 1819 † 1896 |
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Piano two hands |
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R. Schumann
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Studies after Caprices of Paganini
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| * 1810 † 1856 |
|
Piano two hands |
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J. Brandts-Buys
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3 songs: Call of night, Dawn Serenade, Bridal Procession
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Full Score |
20 P. / 9.16 EUR
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| * 1868 † 1933 |
|
Flute, Voice, Piano |
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J. Brandts-Buys
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3 songs: Call of night, Dawn Serenade, Bridal Procession
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| * 1868 † 1933 |
|
Flute, Voice, Piano |
|
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F. Gernsheim
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Three piano pieces, No. 3: Waltz
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| * 1839 † 1916 |
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Piano two hands |
|
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M. Glinka
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The Separation
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| * 1804 † 1857 |
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Piano two hands |
|
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F. Burgmueller
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"18 Studies", No. 3: Le Retour du Pâtre
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| * 1806 † 1874 |
| op. 109, Buch 1, Nr. 3 |
G major |
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Piano two hands |
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C. Saint-Saens
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6 Studies for the left hand 3
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| * 1835 † 1921 |
|
Piano one hand |
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W. A. Mozart
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Andantino after motives of an aria of Gluck
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| * 1756 † 1791 |
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Piano two hands |
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G. F. Handel
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Messiah, Aria No. 5: "But who may abide"
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| * 1685 † 1759 |
|
Bass and Piano |
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G. F. Handel
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Messiah, Aria No. 5: "But who may abide"
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| * 1685 † 1759 |
|
Bass and Piano |
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G. F. Handel
|
Messiah, Aria No. 8: "O thou that tellest"
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| * 1685 † 1759 |
|
Alto and piano |
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G. F. Handel
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Messiah, Aria No. 8: "O thou that tellest"
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| * 1685 † 1759 |
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Alto and piano |
|
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G. F. Handel
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Messiah, Aria No. 23: "He was despised"
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| * 1685 † 1759 |
|
Alto and piano |
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G. F. Handel
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Messiah, Aria No. 23: "He was despised"
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| * 1685 † 1759 |
|
Alto and piano |
|
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